Allegorical Figure Group „Skulptur, Arithmetik und Architektur“
A finely chiselled marble allegorical group of approx. 12 to 13 figures, with a centaur robbing a young woman, representing the true and the false; grouped around(?) it are the allegorical figures of the love of virtue, showing the tools of art.
- love of virtue, showing the tools of art;
- the perfection ("perfezione") that crowns the embodiment of sculpture,
- the deception that enhances the value of art,
- the merit that elevates the chiselled value,
- the intellect that forms the truth,
- the aritmetic and the architecture.
The work is damaged. The details of the attributes that distinguish the allegories have not survived.
Allegedly, because of the apparent impossibility of this work, the sculptor was brought before the Inquisition on the charge of having collaborated with the devil, since the human hand was incapable of producing such a work.